RESUME

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EDUCATION

1974
M.F.A, Claremont Graduate School, Claremont, California.

1962-1968 New York City: Art Student's League, New School for Social Research, Studio School and private studies with artist Ethel Schwabacher.

1962
B.A, Park College, Kansas City, Missouri.

GRANTS and RESIDENCY

2001
Individual Artist Grant from the City of Pasadena Cultural Affairs Division and the Pasadena Arts Commission, Pasadena, CA.

1981
Nominated for the A.V.A. award sponsored by Southeastern Center for Contemporary Art (SECCA) of North Carolina.

1974
McDowell Colony, Peterborough, N.H.

SOLO EXHIBITIONS

2017
Reductive Precision, Marsia Alexander-Clarke, Bill Lane, September 5 - October 7, Mount Saint Mary’s University, Los Angeles, CA. Curator, Jody Baral.

2013
MARKING TIME, selected works, Cerritos College Art Gallery, Norwalk, CA. (catalog). September 3 to October 3. Curator James McDevitt.

2012
PASOS, video installation, California Museum of Photography, Riverside, CA. July 12 to September 22, Curator, Tyler Stallings.

2008
TAPESTRIES, video installation, The Armory Center for the Arts, Pasadena, CA. (catalog). September 21- November 16. Curator, Jay Belloli.

2007
TROLUKA, video installation, Riverside Art Museum, Riverside, CA. (catalog). Curator, Andy Campagnone.

2007
NOCHE, video installation, dBa gallery, Pomona, CA. Curator, Andi Campagnone.

2006
UT COELUM, video installation, Riverside Art Museum, project RAM gallery, Riverside, CA. March 2 to March 30. Curator, Andi Campognone.

2003
UT COELUM, video installation, Robert V. Fullerton Art Museum, California State University, San Bernardino, CA. February 13 to April 5. Curator, Eva Kirsch.

1999
S-T-R-E-T-C-H-I-N-G, video installation, California Museum of Photography, University of California, Riverside, CA. September 25 to January 2. Curator, Kevin Boyle.

1987
Sculpture Installation, Rio Hondo College Art Gallery, Whittier, CA,,
1986
STONES, Nomadic Sculptures Installation, Heidi Park and Art Gallery, Melbourne, Australia,.

1986
Nomadic Sculpture Installation, Arts Center Park and Gallery, Mildura, Australia.

1985
CANTO PRIMARIO, Nomadic Sculpture Installation, Junior Arts Center, Barnsdall Park, Los Angeles, CA.

1985
Sculpture Installation, Fine Arts Gallery, Long Beach City College, Long Beach, CA.

1981
REVERBERATIONS, Sculpture Installation, Works Gallery, San Jose, CA.

1980
REVERBERATIONS Sculpture Installation, City wide Architectural Sculpture Exhibition, Baxter Art Gallery, California Institute of Technology, Pasadena, CA. catalog.

1979
Vanguard Gallery, Los Angeles, CA.

1977
Moreau Gallery Three, Saint Mary's college, Notre Dame, Indiana.

1977
Vanguard Gallery, Los Angeles, CA.

1976
Vanguard Gallery, Fullerton, CA.

1976
Vanguard Gallery, Fullerton, CA.

1974
Brand Library Art Center, Glendale, CA.

1973
Libra Gallery, Claremont Graduate School, Claremont, CA.

SELECTED GROUP EXHIBITIONS

2017
Marsia Alexander-Clarke, Eja Kang, Renee Amitai, September 1 - 28, L A Artcore, Brewery Annex. Los Angeles, CA. Curator Lidia Takeshita Moire Fringe, September 15 - October 7, Arena 1 Gallery, Santa Monica, CA. Hosted by Kio Griffith and KJ Bays
2016
Woven, Sturt Haaga Gallery, May 17 - August 28, 2016, Descanso Gardens, La Canada Flintridge, California, Curator John O’Brien.

2015
XX Redux - revisiting a feminist art collective, Guggenheim Gallery at Chapman University. February 2 to March 14. Curator, Nancy Buchanan.
2011
Patterns, Seasons, Uprisings, A video show, SCA Project Gallery, Pomona, CA. January 14 to February 4. Curator, Andi Campognone.

2010
Signs of the Forest, Arena Gallery, Los Angeles, CA. July 17 to August 21. Curator, Jean Clad.

2010
Dean DeCocker, Gary Raymond, Marsia Alexander-Clarke, Andi Campognone Projects, Pomona, CA. November 13 - December 30.

2010
Los Angeles Juried Exhibition, BarnsdallArt Center, Los Angeles Municipal Art Gallery, Los Angeles, CA. August 2 to October 3. Jurors, Franklin Sirmans, Ali Subotnick.

2006
Perspectives, HAND MUSIKE, video installation, Barnsdall Art Center, Los Angeles Municipal Art Gallery, Los Angeles, CA. December 15 to February 4. Curators, Scott Canty and Mary Oliver.

2004
AIM V:SYZYGY (the human remix), Art In Motion, UT COELUM, video installation, invited artist. University of Southern California in collaboration with The Armory Center for the Arts, Pasadena, CA. February 15 to April 13. Curator, Lynzie Baldwin.

2003
AIM IV, Interference Patterns, Bank Gallery, Los Angeles, CA.

2003
AIM IV, Interference Patterns Screening, Armory Northwest, Pasadena, CA.

2003
D.U.M.B.O., Short Film and Video Festival, Brooklyn, New York.

2003
THE SHOW, Museum of Fine Arts, Santa Fe, New Mexico, purchase prize. June 6 to August 31. Juried by Terezita Romo, Susan Rothenberg and Charles Stainback.

2003
Video Installation, The Brewery Project, Los Angeles, CA. curator, Joe Santarromana.

2003
VOICES, Video Installation, Bank Gallery, Los Angeles, CA.

2003
Soft Machines, The Brewery Project, Los Angeles, CA. November 15 to December 19.

Curator, Joe Santarromana

2003
Art Heals, Art Works, Palos Verdes Art Center, Palos Verdes, CA. curator, Scott Canty.

2003
Clang: Portraits, VOICES, Video installation, Bank Gallery, Los Angeles, CA.

curator, Lorraine Molina

2002
Art Heals, Art Works, Fullerton Museum Center. Fullerton CA,.

2002
New Works - New Spaces, 6 IN 1 TO 64 CHOIR, video installation, Armory Center for the Arts, Pasadena, CA. Commissioned work. curator. Jay Belloli.

2000
Drawing on the Portrait, video installation, Palos Verdes Art Center, Palos Verdes, CA.

1999
Emotion and Light, "VOICES" video installation, Century Gallery, CA.

1997
Supplication - Artists Respond to Bodily Illness, STRETCHING, video installation, El Camino College Art Gallery, Torrance, CA. curator, Susanna Meiers.

1997
TRACINGS, a single channel video, Los Angeles Juried Exhibition, Barnsdall Art Center,
1997
TRACINGS, a single channel video, Los Angeles Juried Exhibition, Barnsdall Art Center, Municipal Art Gallery, Los Angeles, CA.

1990
The Desert, El Camino College Art Gallery, Torrence, CA. curator, Susanna, Meiers.

1987
The Quest for Balance, The Women's Building Gallery, Los Angeles, CA.

1984
Bookworks: The Last Five Years, Art Gallery, Otis Art Institute, Los Angeles, CA.

1983
Group Exhibition, Chrysalis Gallery, Claremont, CA.

1980
Architectural Sculpture, Los Angeles Institute of Contemporary Art, CA.

1980
Architectural Sculpture Models, Municipal Art Gallery, Los Angeles, CA. Poster announcement and catalog.

1979
Structures, Hera Gallery, Wakefield. R.I., Catalog.

1979
Abstractions/Sources/Transformations, Municipal Art Gallery, Los Angeles, CA.

1978
Guggenheim Gallery, Chapman College, Orange, CA.

1977
Art Gallery, El Camino College, Los Angeles, CA.

1977
Paper Art, Lang Art Gallery, Scripps College, Claremont, CA,. Catalog.

1977
Pasadena Artist's Concern, Pasadena, CA.

1976
Works on Paper, Moreau Gallery Three, Saint Mary's College Notre Dame, Indiana.

1976
Contemporary Masters, Libra Gallery, Claremont, CA. Catalog.

1974
Young Sculptors, Lang Art Gallery, Claremont, CA.

BIBLIOGRAPHY – REVIEWS

2012
Tyler Stallings, Pasos, “Video installation by Marsia Alexander-Clarke,” Brochure, California Museum of Photography, Riverside, CA.

2012
Tyler Stallings, ‘Video Installation by Marsia Alexander-Clarke.” ArtBound, KCET, July
2012
Suvan Geer, "Marsia Alexander-Clarke video installation.” ArtScene, June.

2010
Christopher Knight, “Artists Talk Among Themselves,” Los Angeles Times, 10 September.

2008
Stephanie du Tan, “Marsia Alexander-Clarke,” THE, November.

2003
Suvan Geer, "Marsia Alexander-Clarke at the Robert V. Fullerton Museum," Artweek, April.

2003
Mario Cutajar, "Continued and Recommended, AIM IV: Interference Patterns," ArtScene, April
2002
Victoria Martin, "New Work, New Spaces,” Artweek, June.

1999
Sherril Leonard, “Homes on the Range,” Press Enterprise, October 2.

1999
William Batey iii, “Not Just Quantity,” UCR Press, October.

1985
Marga Bijvoet, "Restoring the Balance,” Artweek, 10 August p.5.

1985
Diana Rico, "Sculptures move 'From Here to There,” Daily News, 7 July.

1981
Melinda Wortz, "Measurements of Time and Structures of Experience," Artweek, November, p. 5.

1981
Suzanne Muchnic, "Sculpture Becomes a Structure," Los Angeles Times, 27 October.

1979
William Wilson, "Abstract Art More Historic than Modern,” Los Angeles Times, Calendar, 18 March.

1979
Suzanne Muchnic, "Art Walk", Los Angeles Times, 20 April, 1979, Part 4, p.9.

1979
Announcement, ArtWeek, 28 April 1979.

1979
Gail Stavitsky, "From Abstractions to Inception,” 24 March 1979.

1978
Lea Thompson, "Dimensional Paintings, Pyramidal Sculptures,” Artweek, 30 September.

1977
Suzanne Muchnic, "Marsia Alexander's Sculptural Wrappings,” Artweek, 2 July.

1974
William Wilson, "'Young Sculptors' at Home at Scripps,” Los Angeles Times, 16 December.

BIBLIOGRAPHY -- ESSAYS

2013
Catalog, “MARKING TIME, selected works, 1977-2013,” Cerritos College Art Gallery, Norwalk, CA. www.blurb.com/b/4631405-marsia-alexander-clarke
2013
Jay Belloli, “Continuity and Change,” “MARKING TIME, selected works, 1977-2013,” Cerritos College Art Gallery, Norwalk, CA
2013
James McDevitt, “Ma(r)king Time,” “MARKING TIME, selected works, 1977-2013,” Cerritos College Art Gallery, Norwalk, CA
2013
Betty Ann Brown, “Reliquaries of Presence,” “MARKING TIME, selected works, 1977-2013,” Cerritos College Art Gallery, Norwalk, CA
2013
Shane Shukis, Between Abstraction and Experience.” (reprinted from Tapestries catalog, “MARKING TIME, selected works, 1977-2013,” Cerritos College Art Gallery, Norwalk, CA
2008
Shane Shukis, Between Abstraction and Experience: The video installations of Marsia Alexander-Clarke”, TAPESTRIES, catalog.

2007
Peter Frank, Marsia Alexander-Clarke: Video Musics,” catalog, Riverside Art Museum, June.

2003
Betty Brown, “Re[con]Figured Tableaux; Postmodern Images of the Sacred,” ARTSCENE, February.

2003
Jay Belloli, “Marsia Alexander-Clarke: An Introduction,” brochure, Robert V.

Fullerton Art Museum, San Bernardino, CA, February.

2003
Cynthia Morril, “UT COELUM, video installation,” brochure, Robert V. Fullerton Art Museum, February.

1999
Kevin Boyle. “Stretching: A Spiritual Journey,” Foto Text, brochure, Quarterly Calendar of UCR/California Museum of Photography, Riverside, CA.

1990
“Sound as Sculpture,” by Suvan Geer, .Artspace, (Jan/Feb).

1985
Virginia Watson Jones, Contemporary Women Sculptors, Illustrated Bio-Bibliographical Directory, ed. Onix Press, Phoenix, Arizona.

1983
Marga Bijvoet, “In Search of Self Through Nature” Arts and Architecture, Volume 2, #3
1980
Lucy R. Lippard, “The Inside Picture from the Outside,” Architectural Sculpture, catalogue essay, Los Angeles Institute of Contemporary Art, Los Angeles, CA.

1980
Michael Smith, “California Institute of Technology, Marsia Alexander,” Architectural Sculpture-Projects, catalog essay, Pasadena, CA.

PERFORMANCE – VIDEO BROADCAST

2008
One Colorado, Red/Rojo, Pasadena, CA.

2002
California Institute of the Arts, Valencia, CA. New Media/New Works, performance event including video installation. October 9.

2002
Glass Membrane: Scanner to Screen, curated by Ted Fisher, California Museum of Photography, Riverside, CA. March 23-May 12.

2002
Producer and host of Close up on the Arts, a program that focuses on artists and their work in Pasadena and L.A., CA.

2001
Engagements (short digital videos), California Museum of Photography, Riverside, CA. September 30.

1995
DI-VI-TRANS, a video/choral performance with choir, Altadena Congregational United Church of Christ, Altadena, CA. April 5.

1985-1989 Sixteen single channel videos broadcast on Pasadena Community Television, Pasadena, CA.

1981
A READING OF THE TABLETS, performance, Works Gallery, San Jose, CA.

1978
LISTENING performance, Brookside Park, Pasadena, CA. June 26.